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Native Guard: Poems

Native Guard: Poems
By Natasha Trethewey

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Product Description

Through elegiac verse that honors her mother and tells of her own fraught childhood, Natasha Trethewey confronts the racial legacy of her native Deep South -- where one of the first black regiments, the Louisiana Native Guards, was called into service during the Civil War. Trethewey's resonant and beguiling collection is a haunting conversation between personal experience and national history.


Product Details

  • Amazon Sales Rank: #93971 in Books
  • Published on: 2007-04-03
  • Original language: English
  • Number of items: 1
  • Dimensions: .20" h x 5.52" w x 8.28" l, .21 pounds
  • Binding: Paperback
  • 51 pages

Editorial Reviews

From Publishers Weekly
Trethewey (Domestic Work) draws on the life of her deceased mother and on the history of Mississippi, where the poet and her mother's family grew up, to limn a multiracial South and her own multiracial heritage. One poem tries to preserve her mother's memory ("certain the sounds I make/ are enough to call someone home"); the title poem's set of linked sonnets, where the last line of each one becomes the first line of the next, presents black Union soldiers who "keep/ white men as prisoners—rebel soldiers,/ would-be masters." A pantoun remembers the night Trethewey's family discovered a burning cross on her lawn; the concluding poem condenses the poet's mixed—and compelling—feelings about "Mississippi, state that made a crime// of me—mulatto, half-breed, native—/ in my native land, this place they'll bury me." (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Trethewey's exacting and resonant poetry is rooted in the shadow side of American history. In her first two collections, she empathically dramatizes the lives of women of color. Here she enters the arena of war and unveils a harrowing betrayal. In commanding, bayonet-sharp lyrics, Trethewey matches states of mind with states of nature and rigorously distills fact and feeling into loaded phrases and philosophical metaphors as she tells the terrible story of the Native Guard. Newly freed from slavery, the men were mustered in 1862 in Louisiana to become the first Union army regiment of black soldiers. But the courageous black troops who fell in combat were left unburied, and the black soldiers who continued fighting with valor and conviction were fired upon by their white comrades. Moving from grim historical events to personal history, Trethewey tells the story of a white man and a black woman who marry, even though their union is illegal in their home state of Mississippi. There a daughter is born, a poet in the making, profoundly attuned to the tragedies of racial strife. Donna Seaman
Copyright © American Library Association. All rights reserved

Review

"Trethewey serves our profound need for that rare thing -- artistically fine Civil War poetry...She is our Native Guard." -- David Madden, author of Sharpshooter

"The graceful form conceals a gritty subject...Trethewey has a gift for squeezing the contradictions of the South into very tightly controlled lines." -- Book World The Washington Post

"[Native Guard] consistently presents Trethewey's belief that history is layered, full of bones and ghosts, and that the poet's job is to penetrate and expose." St. Louis Post-Dispatch

"Trethewey is sure-handed in her use of language and fearless in confronting her own personal issues." The Advocate

"A moving testimony." Atlanta Journal Constitution

"Elegiac...eloquently told...profoundly moving...Trethewey is clearly a poet to savor." --Maxine Kumin

"In a very few years Natasha Trethewey has created a small body of nearly flawless poetry." --Rodney Jones

"[Natasha Tretheway’s] voice is a rare, beautiful gift to the reader." --William Ferris, Joel R. Williamson Eminent Professor of History, UNC Chapel Hill